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about

Suslov’s idea was to convey the eroticism of the dance, to emphasize its “physiological components.” All else aside, this piece (the one that gave the impetus to the entire cycle) is a successful cooperation between Suslov and Trefan. The pianist was the one who invented both the pulsating, high-pitched note, as essential to the “Tango” as the guitar and vocal modulations, and the attempt at a classical choral that he plays almost inadvertently in the background.

credits

from Go to it​!​.​., released October 10, 1992

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all rights reserved

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about

Vezhlivy Otkaz Moscow, Russia

Vezhlivy Otkaz was formed in 1985 with a then-popular reggae/ska blend. Since then, they have gone through numerous stylistic changes,
flirting with everything from free jazz to Russian folk. Their sound, however, has always been unique and immediately recognizable.
Suslov’s rhythmic guitar work and unusual high-pitched vocals gives VO’s music a precisely constructed,
crystal-clear sound.
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